Skip to content

Lilli Carré

b. 1983, Los Angeles, CA
Lives and works in Los Angeles, CA

Lilli Carré’s interdisciplinary creative practice employs a wide range of media, including experimental animation, drawing, comics, weaving, and ceramic sculpture. Recent works focus on perceived misbehaviors, bodily communication, and the grotesque. She is particularly interested in the open-ended possibilities and histories of the animated body – simultaneously physical and virtual, free of expectations or fixed form.

Representations of the feminine form and animated body throughout history are a source of fascination for Carré. Her images look at ways in which people interact with and inhabit cartoon bodies that appear to feel no pain or touch, and our relationship to separate, virtual selves. In addition to animation, her drawings and ceramic sculptures explore mutation, tactility, and malleability, translating cartoon logic from the virtual to the physical world through material disobedience.

Lilli Carré is a recipient of a 2024 Guggenheim Fellowship in Film-Video. Her solo shows include the Museum of Contemporary Art Chicago, the Columbus Museum of Art in Ohio, Museo Internazionale e Biblioteca della Musica di Bologna in Italy, 150 Media Stream, Chicago and Western Exhibitions. Her work is held in the collections of The National Gallery of Art and The Library of Congress, both in Washington, D.C.; The Booth School of Business, University of Chicago; The Progressive Art Collection, Mayfield Village, Ohio; and Thomas J. Watson Library, Metropolitan Museum of Art, New York. Her animated films have been shown in festivals throughout the US and abroad, including the Sundance Film Festival; Annecy; the Edinburgh International Film Festival; Ottawa International Animation Festival; 25FPS; European Media Arts Festival; the Ann Arbor Film Festival; and the International Film Festival in Rotterdam. Carré co-founded the Eyeworks Experimental Animation Screening Series in 2010, which is held annually in Chicago, Los Angeles, and New York.  She has several published graphic novels with Fantagraphics and her work has appeared in The New York Times, The New Yorker, Best American Comics and Best American Nonrequired Reading. Artist residencies include MacDowell, Yaddo, and Bemis Center for Contemporary Arts. She received a BFA from the School of the Art Institute of Chicago and MFA from Northwestern University. Carré is represented by Western Exhibitions in Chicago and she lives and works in Los Angeles, where she teaches in the Experimental Animation program at CalArts.

On the Secret Movement and Matter of Images, and essay by Michelle Puertz for Carré’s Chicago Works show at the Museum of Contemporary Art in Chicago in 2013. (download PDF)

Lilli Carré vimeo page: https://vimeo.com/lillicarre

 

Glazing, a looped hand-drawn animation, recently shown the MCA Chicago in Chicago Comics: 1960s to Now

Gloves Off, 2020, a looped hand-drawn animation, was included in the The Western Exhibitions Drawing Biennial, January 8-February 20, 2021

Jill, 2016, a looped CG animation, was included in Carré’s solo show at Western Exhibitions in 2017

 

The Negotiation, 2013, documentation of 2-channel video installation at Museum of Contemporary Art Chicago