Aya Nakamura’s work is influenced by a philosophy of mind that does not exclusively locate consciousness in the human, derived from interacting with plants and following posthumanist research in biology and anthropology. Nakamura’s drawings are colored pencil on handmade paper of different sizes and shapes, which have a physicality and assert themselves during the drawing process. Variegated lines move across, alongside and into fields of color, and these assemble into amorphous compositions that appear to simultaneously build and dissolve. Some have visual links to existing symbols and objects, which provide a starting point and focus. Inspirations for recent drawings are various but orbit around a cataclysmic event, the passing of a loved one in the spring of 2021. They are meditations on death and metaphysics, and provide a space for questioning, grief, memorial, humor, and healing.
Aya Nakamura’s first show at Western Exhibitions in 2022 was reviewed in New City. She has shown at venues in the United States and abroad, recently at Secrist Beach and Heaven, both in Chicago, and at The Hangar and Dawawine in Beirut, Lebanon; Supa Salon in Istanbul, Turkey; Mana Decentralized in Jersey City, NJ; and MPSTN in Fox River Grove, IL. She is the recipient of the Denbo Fellowship from Pyramid Atlantic Art Center and the George and Ann Siegel Fellowship from the School of the Art Institute of Chicago and is a member of Chicago API (Asian, Pacific Islander) and Artists United (CAAU). Nakamura was born in Japan and educated in France and the United States, holding a BA in Fine Arts and Political Science from the University of Pennsylvania, and a MFA in Painting and Drawing from the School of the Art Institute of Chicago. Nakamura currently lives and works in Chicago.